A Musicall Banquet – IV. O eyes, leave off your weeping

Robert Hales (attivo 1583 - 1616): O eyes, leave off your weeping, ayre su testo di autore anonimo (talvolta erroneamente attribuito a Nicholas Breton, 1542 - 1626). Emma Kirkby, soprano; Anthony Rooley, liuto.

O eyes, leave off your weeping,
love hath the thoughts in keeping
that may content you.
Let not this misconceiving,
where comforts are receiving,
causeless torment you.

Clouds threaten but a shower;
hope hath his happy hour,
though long in lasting.
Time needs must be attended
Love must not be offended
with too much hasting.

But O the painful pleasure,
where Love attends the leisure
of life’s wretchedness:
where Hope is but illusion,
and Fear is but confusion
of Love’s happiness.

But happy Hope, that seeth
how Hope and Hap agreeth,
of life deprive me;
or let me be assured
when life hath death endured
Love will revive me.

Di Robert Hales sappiamo che fu al servizio di Elisabetta I, apprezzato dalla sovrana in particolare quale cantante, e poi di Anna di Danimarca, consorte di Giacomo I; O eyes, leave off your weeping, pubblicato da Robert Dowland nella raccolta A Musicall Banquet (Londra 1610, n. 4), è l’unica sua composizione nota.

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