A Musicall Banquet – VII. To Plead My Faith

 
Daniel Bacheler (1572 - 1618 o 1619): Change thy mind since she doth change, ayre su testo di Robert Devereux, II conte di Essex (1567 - 1601). Nigel Rogers, tenore; Anthony Bailes, liuto.

To plead my faith, where faith hath no reward;
to move remorse, where favour is not borne;
to heap complaints, where she doth not regard,
were fruitless, bootless, vain and yield but scorn.

I loved her whom all the world admir’d.
I was refus’d of her that can love none;
and my vain hope, which far too high aspir’d,
is dead and buried and for ever gone.

Forget my name, since you have scorn’d my love,
and womanlike do not too late lament;
since for your sake I do all mischief prove,
I none accuse nor nothing do repent.
I was as fond as ever she was fair,
yet lov’d I not more than I now despair.

Nella raccolta A Musicall Banquet, pubblicata a Londra nel 1610 a cura di Robert Dowland, il secondo brano composto su testo di Robert Devereux è opera di Daniel Bacheler, liutista e compositore che fu dapprima al servizio di sir Francis Walsingham, potente ministro di Elisabetta I; in seguito attivo presso lo stesso conte di Essex. venne infine nominato groom of the privy chamber della regina consorte Anna di Danimarca.

A Musicall Banquet – IV. O eyes, leave off your weeping

Robert Hales (attivo 1583 - 1616): O eyes, leave off your weeping, ayre su testo di autore anonimo (talvolta erroneamente attribuito a Nicholas Breton, 1542 - 1626). Emma Kirkby, soprano; Anthony Rooley, liuto.

O eyes, leave off your weeping,
love hath the thoughts in keeping
that may content you.
Let not this misconceiving,
where comforts are receiving,
causeless torment you.

Clouds threaten but a shower;
hope hath his happy hour,
though long in lasting.
Time needs must be attended
Love must not be offended
with too much hasting.

But O the painful pleasure,
where Love attends the leisure
of life’s wretchedness:
where Hope is but illusion,
and Fear is but confusion
of Love’s happiness.

But happy Hope, that seeth
how Hope and Hap agreeth,
of life deprive me;
or let me be assured
when life hath death endured
Love will revive me.

Di Robert Hales sappiamo che fu al servizio di Elisabetta I, apprezzato dalla sovrana in particolare quale cantante, e poi di Anna di Danimarca, consorte di Giacomo I; O eyes, leave off your weeping, pubblicato da Robert Dowland nella raccolta A Musicall Banquet (Londra 1610, n. 4), è l’unica sua composizione nota.