I See You

Robert Paterson (29 aprile 1970): I See You (ICU) per orchestra d’archi e registrazione (2015). American Modern Ensemble, Del Sol Quartet, JACK Quartet e PUBLIQuartet, dir. Delta David Gier.

« I See You is inspired by a week I spent at my father’s side in a hospital. Having never spent much time in hospitals, I was unaccustomed to hearing the myriad of sounds, particularly in the Intensive Care Unit (ICU), where my father lay incapacitated, in critical condition. It was incredibly sad: I could see him, but because he was so sedated, he was barely aware I was even in the room with him. Despite this, there was something strangely soothing and almost musical about the constant pattern of beeps and noises emanating from the machines. To pass the time, I would imagine an orchestra playing, with the litany of noises as accompaniment.
« I See You consists of three connected sections. The first section entitled Tranquillo is calm and soothing, almost like a lullaby, with long melodic lines. The second, entitled Sturn und drang (“storm and stress”) is more rhythmic and stressful, incorporating a cacophony of ICU sounds. The final section, entitled Return, is more like the first, perhaps a bit darker, but with rays of optimism toward the end. Throughout the entire work, I incorporate sounds one might hear in an ICU, manipulated and mixed with recordings of heartbeats, breathing and the sounds of children playing. The piece ends with the overlapping patterns of my own heartbeat, my father’s heartbeat, and my son’s heartbeat, and even my son’s heartbeat when he was in my wife’s womb, creating an intimate, multi-generational, rhythmic tapestry » (Robert Paterson).

Alluvione (Fabbriciani 75)

Roberto Fabbriciani (13 giugno 1949): Alluvione per flauti (1 esecutore) e suoni elettronici di Alvise Vidolin (2017). Esegue l’autore.

  1. Fantasioso sognante
  2. Alluvione
  3. Abyss II
  4. Corrente
  5. Suono sommerso
  6. Dal profondo
  7. Suono sommerso II
  8. Deflusso
  9. Fantasy Falls

Qui un articolo di Fabio Zannoni sulla composizione di Fabbriciani.

Parallel Lines (Subotnick 90)

Morton Subotnick (14 aprile 1933): Parallel Lines per ottavino solista con “ghost electronics”, oboe, clarinetto/clarinetto basso, tromba, trombone, percussione, arpa, viola e violoncello (1979).

« The “ghost” score is a parallel composition to the piccolo solo. The ghost score amplifies and shifts the frequency of the original non-amplified piccolo sound. The two (“ghost” and original piccolo sounds), like a pair of parallel lines, can never touch, no matter how quickly or intricately they move. The work is divided into three large sections: (1) a perpetual-motion-like movement in which all parts play an equal role; (2) more visceral music, starting with the piccolo alone and leading to a pulsating “crying out”, and (3) a return to the perpetual motion activity, but sweeter » (Morton Subotnick).


Treatise

Cornelius Cardew (1936 - 13 dicembre 1981): Treatise «for any number of musicians with any instruments» (1967). Cardew Trio: Michele Selva, sassofono contralto; Nicola Baroni, violoncello e live electronics; Massimiliano Messieri, percussioni-giocattolo e live electronics. Esecuzione live (12 gennaio 2010) delle prime 14 pagine della partitura.