Di notte

Eugène Bozza (4 aprile 1905 - 1991): Trois Pièces pour une musique de nuit per flauto, oboe, clarinetto e fagotto (1954). Ensemble Corrélatif: Christian Strube, flauto; Marion Klotz, oboe; Matthias Beltz, clarinetto; Anne Weber-Krüger, fagotto.

  1. Andantino [0:26]
  2. Allegro vivo [2:07]
  3. Moderato [4:25]

Passacaille d’Armide

Jean-Henri d’Anglebert (1º aprile 1629 - 1691): Suite in sol minore (dalle Pièces de clavecin, 1689). Curtis Pavey, clavicembalo.

  1. Prélude
  2. Allemande [1:53]
  3. Courante [6:02]
  4. Sarabande [8:00]
  5. Gigue [10:51]
  6. Gaillarde [13:25]
  7. Passacaille d’Armide (da Lully: cfr. A proposito della passacaglia) [17:29]

Giorno d’estate in montagna

Vincent d’Indy (27 marzo 1851 - 1931): Jour d’été à la montagne, trittico sinfonico op. 61 (1905). Sinfóníuhljómsveit Íslands (Orchestra sinfonica islandese), dir. Rumon Gamba.

  1. Aurore: Très modéré
  2. Jour (Apres-midi sous les pins): Très modéré [8:35]
  3. Soir: Très animé et joyeux [19:40]

Ludi musici

Samuel Scheidt (1587 - 24 marzo 1654): Ludi musici (1621), I pars. Hespèrion XX, dir. Jordi Savall.

  1. (XXII) Intrada a 5
  2. (V) Paduan a 4
  3. (XXIV) Galliard a 5
  4. (XVII) Courant a 4
  5. (VI) Paduan a 4
  6. (XXI) Galliard Battaglia a 5
  7. (XVI) Alamande a 4
  8. (XXVI) Canzon ad imitationem Bergamasca Anglica a 5
  9. (XXVIII) Canzon super O Nachbar Roland a 5
  10. (XI) Courant a 4
  11. (XIII) Courant a 4
  12. (XVIII) Canzon Cornetto a 4
  13. (III) Paduan a 4
  14. (XXV) Galliard a 5
  15. (XVII) Courant a 4
  16. (XXIX) Canzon super Cantionem gallicam a 5

Fantasmi – I (Andrew Lloyd Webber 75)

Sir Andrew Lloyd Webber, barone Lloyd-Webber (22 marzo 1948): Suite sinfonica dal musical The Phantom of the Opera (1986). The Andrew Lloyd Webber Orchestra, dir. Simon Lee.

  1. Overture
  2. Think of Me [1:25]
  3. The Mirror [3:26]
  4. Angel of Music [4:17]
  5. The Music of the Night [5:18]
  6. Twisted Every Way [7:41]
  7. Prima Donna [8:20]
  8. Masquerade [9:41]
  9. Wishing You Were Somehow Here Again [11:37]
  10. The Phantom of the Opera [13:42]
  11. The Point of No Return [15:46]
  12. All I Ask Of You [17:50]
  13. Finale I [19:50]
  14. Masquerade Remix [20:35]
  15. Finale II [21:02]

Prokof’ev 1953-2023 – V

Sergej Sergeevič Prokof’ev (1891 - 5 marzo 1953): Visions fugitives per pianoforte op. 22 (1915-17). Heinrich Neuhaus.

Si tratta di una serie di brani scritti separatamente e dedicati a diversi amici del musicista. Il titolo è tratto da un componimento del poeta simbolista Konstantin Dmitrievič Bal’mont, comprendente questo distico:

В каждой мимолетности вижу я миры
Полные изменчивой радужной игры.
In ciascuna visione fuggitiva vedo mondi
colmi di giochi mutevoli, iridescenti.

  1. Lentamente
  2. Andante [1:00]
  3. Allegretto [2:06]
  4. Animato [3:00]
  5. Molto giocoso [3:48]
  6. Con eleganza [4:09]
  7. Pittoresco (Arpa) [4:35]
  8. Comodo [6:02]
  9. Allegro tranquillo [7:06]
  10. Ridicolosamente [8:13]
  11. Con vivacità [9:05]
  12. Assai moderato [10:02]
  13. Allegretto [10:58]
  14. Feroce [11:43]
  15. Inquieto [12:40]
  16. Dolente [13:24]
  17. Poetico [14:41]
  18. Con una dolce lentezza [15:20]
  19. Presto agitatissimo e molto accentuato [16:35]
  20. Lento irrealmente [17:14]

Omaggio a Paul Klee

Sándor Veress (1907 - 4 marzo 1992): Hommage à Paul Klee per 2 pianoforti e orchestra d’archi (1951). András Schiff e Dénes Várjon, pianoforti; Budapesti Fesztiválzenekar, dir. Heinz Holliger.

  1. Zeichen in Gelb: Allegro
  2. Feuerwind: Allegro molto
  3. Alter Klang: Andante con moto
  4. Unten und oben: Allegretto piacevole
  5. Steinsammlung: Allegretto
  6. Grün in Grün: Andante
  7. Kleiner Blauteufel: Vivo

Sándor Veress
Sándor Veress

Paul Klee
Paul Klee

Nobile gioventù

Georg Muffat (1653 - 23 febbraio 1704): Nobilis Juventus, suite in re minore per archi e basso continuo (da Florilegium secundum, 1698, Fasciculus I). The Academy of Ancient Music, dir. Christopher Hogwood.

  1. Ouverture
  2. Entrée d’Espagnols [3:22]
  3. Air pour des Hollandois [4:35]
  4. Gigue pour des Anglois [5:45]
  5. Gavotte pour des Italiens [7:28]
  6. Menuet pour des François I-II [8:55]

Pavana, Idillio e Baccanale

Edgar Bainton (14 febbraio 1880 - 1956): Pavane, Idyll and Bacchanal per archi, con flauto e tamburo basco ad libitum (1925). BBC Philharmonic Orchestra, dir. Paul Daniel.

  1. Pavane: Andante
  2. Idyll: Moderato, con grazia [2:03]
  3. Bacchanal: Allegro, molto vivace, e con fuoco [5:27]

Songs from Liquid Days

Philip Glass (31 gennaio 1937): Songs from Liquid Days per voci e ensemble strumentale (1985) su testi di Paul Simon, Suzanne Vega, David Byrne e Laurie Anderson. Philip Glass Ensemble, dir. Michael Riesman.

  1. Changing Opinion, testo di Paul Simon. Con Bernard Fowler, voce
  2. Lightning, testo di Suzanne Vega. Con Janice Pendarvis, voce
  3. Freezing, testo di Suzanne Vega. Con The Kronos Quartet; Linda Ronstadt, voce
  4. Liquid Days (Part One), testo di David Byrne. Con The Roches, voci
  5. Open the Kingdom (Liquid Days, Part Two), testo di David Byrne. Con Douglas Perry, voce
  6. Forgetting, testo di Laurie Anderson. Con The Kronos Quartet; Linda Ronstadt e The Roches, voci

I. Changing opinion (Paul Simon)

Gradually
we became aware
of a hum in the room
an electrical hum in the room.
It went mmmmmm

We followed it from
corner to corner.
We pressed out ears
against the walls.
We crossed diagonals
and put our hands on the floor.
It went mmmmmm.

Sometimes it was
a murmur.
Sometimes it was
a pulse.
Sometimes it seemed
to disappear.
But then with a quarter-turn
of the head.
it would roll around the sofa.
A nimbus humming cloud
mmmmmm

Maybe it’s the hum
of a calm refrigerator
cooling on a big night.
Maybe it’s the hum
of our parents’ voices
long ago in a soft light
mmmmmm.
Maybe it’s the hum
of changing opinion
or a foreign language
in prayer.
Maybe it’s the mantra
of the walls and wiring.
Deep breathing
in soft air
mmmmmm

II. Lightning (Suzanne Vega)

Lightning struck a while ago
And it’s blazing much too fast
But give it rain of waiting time
And it will surely pass
Blow over
And it’s happening so quickly
As I feel the flaming time
And I grope about the embers
To relieve my stormy mind
Blow over

Shaken this has left me
And laughing and undone
With a blinding bolt of sleeplessness
That’s just begun
And a windy crazy running
Through the nights and through the days
And a crackling
Of the time burned away
Burned away

Now I feel it in my blood
All hot and sharp and white
With a whipcrack and a thunder
And a flash of flooding light
But there’ll be a thick and smoky
Silence in the air
When the fire finally dies
And I’m wondering who’ll be left there.

In the ashes of time
Burned away
Burned away

III. Freezing (Suzanne Vega)

If you had no name
If you had no history
If you have no books
If you had no family

If it were only you
Naked on the grass
Who would you be then?
This is what he asked
And I said I wasn’t really sure
But I would probably be
Cold

And now I’m freezing
Freezing

IV. Liquid Days (Part One) (David Byrne)

Oh Round Desire
Oh Red Delight
The River is Blood
The Time is Spent
Love likes me
Love takes it shoes off and sits on the couch
Love has an answer for everything
Love smiles gently…and crosses its legs well here we are well here we are

Sleep
Sleep

Sleep…Being in Air
Sleep…Turning to speak
Sleep…Losing our Way
Sleep…Pour it all Out

We are old Friends
I offer Love a Beer
Love watches Television
Love needs a bath
Love could use a shave
Love rolls out of the chair and wiggles on the floor
Jumps Up
I’m Laughing at Love
Drink Me
Drink Me
Drink Me
Drink Me

Drive…Why do You Ask?
Breaths…Still is the Night
Drive…It is much Further
Sleep…Than We Thought

In Liquid Days
Land Travel(s) Hard
Fly Home Daughter
Cover Your Ears

V. Open the Kingdom (Liquid Days, Part Two) (David Byrne)

Days of fishes
Distant roar
Turning to speak
Turning to hear

Open the Kingdom
Open the Kingdom
Open the Kingdom
Open the Kingdom…

In my way
In my way
Being most uncertain
And This Remains

Still for better
Birds of Voices
The Field of Living

I am Asking

I am Asking

I am Asking

Returning Love
Returning With Love
Then it was
Written with Love

VI. Forgetting (Laurie Anderson)

A man wakes up to the sound of rain
From a dream about his lovers
Who pass through his room.

They brush lightly by, these lovers.
They pass. Never touching.
These passing lovers move through his room.

The man is awake now
He can’t get to sleep again.
So he repeats these words
Over and over again:
Bravery. Kindness. Clarity.
Honesty. Compassion. Generosity.
Bravery. Honesty. Dignity.
Clarity. Kindness. Compassion.

Piccola suite

Witold Lutosławski (25 gennaio 1913 - 1994): Mala suita (Piccola suite) per orchestra (1950-51). Orchestra sinfonica nazionale della Radio polacca a Katowice, dir. Antoni Wit.

  1. Fujarka (Zufolo): Allegretto
  2. Hurra polka: Vivace [2:40]
  3. Piosenka (Canzone): Andante molto sostenuto [4:13]
  4. Taniec (Danza): Allegro molto [6:52]

Witold Lutosławski

Première Suite

Joseph-Hector Fiocco (20 gennaio 1703 - 1741): Suite in sol maggiore op. 1 n. 1 (c1730). Ewald Demeyere.

  1. L’Angloise
  2. L’Harmonieuse [2:31]
  3. La Plaintive [6:34]
  4. La Villageoise [13:27]
  5. Les Promenades [14:53]
  6. L’Inconstante [20:17]
  7. L’Italiene [24:35]
  8. La Françoise [26:46]
  9. Adagio [29:29]
  10. Allegro [32:28]
  11. Andante [36:17]
  12. Vivace [39:01]

Pièces pittoresques & Suite pastorale

Emmanuel Chabrier (18 gennaio 1841 - 1894): Pièces pittoresques per pianoforte (1880-81). Rena Kyriakou.

  1. Paysage: Allegro non troppo
  2. Mélancolie: Ben moderato [5:46]
  3. Tourbillon: Allegro con fuoco [7:59]
  4. Sous-Bois: Andantino [9:23]
  5. Mauresque: Moderato [14:00]
  6. Idylle: Allegretto [17:12]
  7. Danse villageoise: Allegro risoluto [22:24]
  8. Improvisation: Andantino [26:35]
  9. Menuet pompeux: Allegro franco [31:07]
  10. Scherzo-Valse: Vivo [37:51]

Chabrier, Pièces pittoresques


Chabrier: Suite pastorale, orchestrazione delle Pièces pittoresques n. 6, 7, 4 e 10 (1888). Wiener Philharmoniker, dir. John Eliot Gardiner.

Chabrier, Suite pastorale

Ritratto di signora

Wojciech Kilar (1932 - 29 dicembre 2013) e Franz Schubert (1797 - 1828): The Portrait of a Lady, suite dalla colona sonora del film omonimo (da Henry James, 1996) di Jane Campion. Gli Impromptus di Schubert sono interpretati da Jean-Yves Thibaudet, il Quartetto D 810 dal Brindisi Quartet.

  1. Prologue: My Life before me
  2. The Portrait of a Lady [4:07]
  3. Flowers of Firenze [9:56]
  4. Twilight Cellos [13:55]
  5. A Certain Light [17:00]
  6. Cypresses [23:49]
  7. Schubert: Impromptu in sol bemolle maggiore op. 90 n. 3 D 899.3 [25:55]
  8. Schubert: Impromptu in la bemolle minore-maggiore op. 90 n. 4 D 899.4 [32:42]
  9. Schubert: Quartetto per archi n. 14 in re minore D 810, Der Tod und das Mädchen, II. Andante con moto [39:46]
  10. Epilogue: The Portrait of a Lady [48:08]
  11. Phantasms of Love [53:20]
  12. The Kiss [57:20]
  13. Love Remains [59:24]
  14. End Credits [1:02:30]