Claude Delvincourt (1888 - 5 aprile 1954): Danceries, 5 pezzi per violino e pianoforte (1930). Eliot Lawson, violino; Diane Andersen, pianoforte.
- Ronde
- Bourrée
- Basquaise
- Louisiane
- Farandole
Claude Delvincourt (1888 - 5 aprile 1954): Danceries, 5 pezzi per violino e pianoforte (1930). Eliot Lawson, violino; Diane Andersen, pianoforte.
Gabriel Grovlez (4 aprile 1879 - 1944): L’Almanach aux Images, suite per pianoforte (1911). Chris Breemer.

Eugène Bozza (4 aprile 1905 - 1991): Trois Pièces pour une musique de nuit per flauto, oboe, clarinetto e fagotto (1954). Ensemble Corrélatif: Christian Strube, flauto; Marion Klotz, oboe; Matthias Beltz, clarinetto; Anne Weber-Krüger, fagotto.

Jean-Henri d’Anglebert (1º aprile 1629 - 1691): Suite in sol minore (dalle Pièces de clavecin, 1689). Curtis Pavey, clavicembalo.

Ferruccio Busoni (1° aprile 1866 - 1924): Danze antiche per pianoforte op. 11 (10), BV 126 (1879). Wolf Harden.

Gordon Mumma (30 marzo 1935): Graftings per pianoforte (1990). Daan Vandewalle.

Vincent d’Indy (27 marzo 1851 - 1931): Jour d’été à la montagne, trittico sinfonico op. 61 (1905). Sinfóníuhljómsveit Íslands (Orchestra sinfonica islandese), dir. Rumon Gamba.

William Baines (26 marzo 1899 - 1922): Tides per pianoforte (1920). Eric Parkin.

Samuel Scheidt (1587 - 24 marzo 1654): Ludi musici (1621), I pars. Hespèrion XX, dir. Jordi Savall.

Sir Andrew Lloyd Webber, barone Lloyd-Webber (22 marzo 1948): Suite sinfonica dal musical The Phantom of the Opera (1986). The Andrew Lloyd Webber Orchestra, dir. Simon Lee.

Sergej Sergeevič Prokof’ev (1891 - 5 marzo 1953): Visions fugitives per pianoforte op. 22 (1915-17). Heinrich Neuhaus.
Si tratta di una serie di brani scritti separatamente e dedicati a diversi amici del musicista. Il titolo è tratto da un componimento del poeta simbolista Konstantin Dmitrievič Bal’mont, comprendente questo distico:
В каждой мимолетности вижу я миры
Полные изменчивой радужной игры.
In ciascuna visione fuggitiva vedo mondi
colmi di giochi mutevoli, iridescenti.
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Sándor Veress (1907 - 4 marzo 1992): Hommage à Paul Klee per 2 pianoforti e orchestra d’archi (1951). András Schiff e Dénes Várjon, pianoforti; Budapesti Fesztiválzenekar, dir. Heinz Holliger.

Sándor Veress

Paul Klee
Nicolas Siret (3 marzo 1663 - 1754): Passacaille, brano conclusivo della Suite II in re minore pubblicata nel I Libro delle Pièces de clavecin (1710). Fernando De Luca, clavicembalo.

Kazimierz Serocki (3 marzo 1922 - 1981): Suite per quattro tromboni (1953). Elementi dell’Orchestra filarmonica di Leningrado.

Léon Jongen (2 marzo 1884 - 1969): Malaisie, suite sinfonica (1935). Orchestre national de Belgique diretto dall’autore.
Georg Muffat (1653 - 23 febbraio 1704): Nobilis Juventus, suite in re minore per archi e basso continuo (da Florilegium secundum, 1698, Fasciculus I). The Academy of Ancient Music, dir. Christopher Hogwood.
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Louis Aubert (19 febbraio 1877 - 1968): Sillages per pianoforte (1908-12). Marie-Catherine Girod.

Edgar Bainton (14 febbraio 1880 - 1956): Pavane, Idyll and Bacchanal per archi, con flauto e tamburo basco ad libitum (1925). BBC Philharmonic Orchestra, dir. Paul Daniel.

Morton Gould (10 febbraio 1913 - 21 febbraio 1996): Pieces of China per pianoforte (1985). Mirian Conti.

Aleksandr Sergeevič Taneev (1850 - 7 febbraio 1918): Suite per orchestra n. 2 in fa maggiore op. 14 (c1900). Philharmonia Hungarica, dir. Werner Andreas Albert.

Philip Glass (31 gennaio 1937): Songs from Liquid Days per voci e ensemble strumentale (1985) su testi di Paul Simon, Suzanne Vega, David Byrne e Laurie Anderson. Philip Glass Ensemble, dir. Michael Riesman.
I. Changing opinion (Paul Simon)
Gradually
we became aware
of a hum in the room
an electrical hum in the room.
It went mmmmmm
We followed it from
corner to corner.
We pressed out ears
against the walls.
We crossed diagonals
and put our hands on the floor.
It went mmmmmm.
Sometimes it was
a murmur.
Sometimes it was
a pulse.
Sometimes it seemed
to disappear.
But then with a quarter-turn
of the head.
it would roll around the sofa.
A nimbus humming cloud
mmmmmm
Maybe it’s the hum
of a calm refrigerator
cooling on a big night.
Maybe it’s the hum
of our parents’ voices
long ago in a soft light
mmmmmm.
Maybe it’s the hum
of changing opinion
or a foreign language
in prayer.
Maybe it’s the mantra
of the walls and wiring.
Deep breathing
in soft air
mmmmmm
II. Lightning (Suzanne Vega)
Lightning struck a while ago
And it’s blazing much too fast
But give it rain of waiting time
And it will surely pass
Blow over
And it’s happening so quickly
As I feel the flaming time
And I grope about the embers
To relieve my stormy mind
Blow over
Shaken this has left me
And laughing and undone
With a blinding bolt of sleeplessness
That’s just begun
And a windy crazy running
Through the nights and through the days
And a crackling
Of the time burned away
Burned away
Now I feel it in my blood
All hot and sharp and white
With a whipcrack and a thunder
And a flash of flooding light
But there’ll be a thick and smoky
Silence in the air
When the fire finally dies
And I’m wondering who’ll be left there.
In the ashes of time
Burned away
Burned away
III. Freezing (Suzanne Vega)
If you had no name
If you had no history
If you have no books
If you had no family
If it were only you
Naked on the grass
Who would you be then?
This is what he asked
And I said I wasn’t really sure
But I would probably be
Cold
And now I’m freezing
Freezing
IV. Liquid Days (Part One) (David Byrne)
Oh Round Desire
Oh Red Delight
The River is Blood
The Time is Spent
Love likes me
Love takes it shoes off and sits on the couch
Love has an answer for everything
Love smiles gently…and crosses its legs well here we are well here we are
Sleep
Sleep
Sleep…Being in Air
Sleep…Turning to speak
Sleep…Losing our Way
Sleep…Pour it all Out
We are old Friends
I offer Love a Beer
Love watches Television
Love needs a bath
Love could use a shave
Love rolls out of the chair and wiggles on the floor
Jumps Up
I’m Laughing at Love
Drink Me
Drink Me
Drink Me
Drink Me
Drive…Why do You Ask?
Breaths…Still is the Night
Drive…It is much Further
Sleep…Than We Thought
In Liquid Days
Land Travel(s) Hard
Fly Home Daughter
Cover Your Ears
V. Open the Kingdom (Liquid Days, Part Two) (David Byrne)
Days of fishes
Distant roar
Turning to speak
Turning to hear
Open the Kingdom
Open the Kingdom
Open the Kingdom
Open the Kingdom…
In my way
In my way
Being most uncertain
And This Remains
Still for better
Birds of Voices
The Field of Living
I am Asking
I am Asking
I am Asking
Returning Love
Returning With Love
Then it was
Written with Love
VI. Forgetting (Laurie Anderson)
A man wakes up to the sound of rain
From a dream about his lovers
Who pass through his room.
They brush lightly by, these lovers.
They pass. Never touching.
These passing lovers move through his room.
The man is awake now
He can’t get to sleep again.
So he repeats these words
Over and over again:
Bravery. Kindness. Clarity.
Honesty. Compassion. Generosity.
Bravery. Honesty. Dignity.
Clarity. Kindness. Compassion.

Witold Lutosławski (25 gennaio 1913 - 1994): Mala suita (Piccola suite) per orchestra (1950-51). Orchestra sinfonica nazionale della Radio polacca a Katowice, dir. Antoni Wit.

Joseph-Hector Fiocco (20 gennaio 1703 - 1741): Suite in sol maggiore op. 1 n. 1 (c1730). Ewald Demeyere.

Emmanuel Chabrier (18 gennaio 1841 - 1894): Pièces pittoresques per pianoforte (1880-81). Rena Kyriakou.

Chabrier: Suite pastorale, orchestrazione delle Pièces pittoresques n. 6, 7, 4 e 10 (1888). Wiener Philharmoniker, dir. John Eliot Gardiner.
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Christian Sinding (11 gennaio 1856 - 1941): Suite im alten Stil per violino e orchestra op. 10 (1889). Itzhak Perlman, violino; Pittsburgh Symphony Orchestra, dir. André Previn.

Julius Bittner (1874 - 9 gennaio 1939): Österreichische Tänze per pianoforte a 4 mani (1917). HMH Piano Duo: Heghine Rapyan e Min-Hao Tsai.

César Cui (6 gennaio 1835 - 1918): À Argenteau, suite sinfonica n. 4 op. 40 (1887). Symfonický orchestr Českého rozhlasu (Orchestra sinfonica della Radio ceca), dir. Róbert Stankovský.

Wojciech Kilar (1932 - 29 dicembre 2013) e Franz Schubert (1797 - 1828): The Portrait of a Lady, suite dalla colona sonora del film omonimo (da Henry James, 1996) di Jane Campion. Gli Impromptus di Schubert sono interpretati da Jean-Yves Thibaudet, il Quartetto D 810 dal Brindisi Quartet.

Louis-Noël Belaubre (27 dicembre 1932 - 2017): Danses vives et mélancoliques per chitarra op. 47 (2014). Alberto Mesirca.
Johann Georg Pisendel (26 dicembre 1687 - 1755): Imitation des caractères de la danse (c1725-35). Freiburger Barockorchester, dir. Gottfried von der Goltz.
